Thursday, July 18, 2019
Henry Walker and the Three of Hearts Essay
Henry Walker, the self-made Negro magician or rather the ââ¬Å"self-made freakâ⬠can simply present his life through the analysis of his signature card trick ââ¬â the use of the Three of Hearts. Each of these hearts represents one of the women who played significant roles in his life. These women were his mother, his sister Hannah, and his assistant and lover, Marianne la Fleur. Henryââ¬â¢s mother The mother of Henry Walker best represents the primary source of tragedy in the story. It can be noted that the setting of the story best emphasizes its tragic theme only when the plot reaches a recollection of Henryââ¬â¢s youth, where the young boy loses his mother. In one way or another, Henryââ¬â¢s mother symbolized familial care and love which should be nurturing, supportive, and developmental ââ¬â something which the ââ¬Å"magicianâ⬠was deprived of at a very young age. Technically, the lack of a mother equated to the lack of family, the conflict which Henry tries so hard to resolve all throughout the story. To a certain sense, the mother ââ¬â or rather the lack of having a mother best depicts Henry Walker as a ââ¬Å"lost soul in perpetual mourning over his departed familyâ⬠. She is the first of Henryââ¬â¢s losses and probably the most dreadful of all. However, unlike other losses, the loss of Henryââ¬â¢s mother is probably the only real event in the story which is not masked by any illusion or schizophrenic dilemma. It was clear that his mother died from a disease before his ninth birthday and from there, his life has gone towards the worst as he is left in the arms of his lying father. To a certain sense, much of Henryââ¬â¢s doomed destiny can be blamed on the fact that he had lost his mother. With a mother, perhaps Henry might have had a more ââ¬Å"realâ⬠life and he might have not lived under pretentious and perplexing situations fostered by his imagination and his fatherââ¬â¢s false encouragements. The role of the mother was to create a ââ¬Å"realâ⬠reality, upholding a family that is essential for the foundation and formation of emotionally, socially, and psychologically healthy individuals. The lack of fulfillment for this motherly role in Henry Walkerââ¬â¢s life shows why almost everything went wrong. It can also be noted that whenever the lack of motherly care is tackled in the story, Henry is almost always merely seen as a little young boy ââ¬â helpless and innocent, not an egomaniac who is forging stories and lies for his own benefit. With his mother, Henry becomes a victim of lifeââ¬â¢s cruelty, a once pure soul who has been corrupted because of the lack of love. As such, apart from setting what was supposed to be real and right in the magicianââ¬â¢s life, the mother was supposed to maintain Henryââ¬â¢s chasteness. Through his mother, Henry is blameless and naive: ââ¬Å"You have to know whatââ¬â¢s true to lie and Henry didnââ¬â¢t. He didnââ¬â¢t know the difference. â⬠Whatââ¬â¢s more is that the early loss of a mother therefore established a series of losses for Henry. As noted in the book, for Henry, life is ââ¬Å"One losing battle after anotherâ⬠¦ Winning doesnââ¬â¢t even exist, really, not as something you can hold on to; itââ¬â¢s just something that happens between losses. â⬠Henryââ¬â¢s sister, Hanna If Henryââ¬â¢s mother ââ¬â or rather the lack of her ââ¬â was the ultimate source of tragedy in the magicianââ¬â¢s life, his sister Hannah was the reverse. Although the boy also lost her sister when he was nearing eleven, the loss of her sister gave his life meaning ââ¬â although an illusionary one. As shown in the story, because Henry Walker believed that his sister was stolen by the Devil ââ¬â Mr. Sebastian, he had devoted his life into looking for her. That search gave her a source of life and a direction which he cannot simply find. In this sense, Hannah symbolized a crusade for both vengeance and righteousness for the magician. Hannahââ¬â¢s loss shows the different side of the magician ââ¬â one who is no longer lured by innocence and youthfulness. Instead, through the vanishing of his sister, Henry becomes a miracle worker, someone that has power and will to defeat the devil. This determination and motivation originating from the loss of his loved one and from his guilt showed a singular Henry, a surprising persona that cannot be expected from a feeble man that the ââ¬Å"Negroâ⬠magician posed himself to be. As claimed by Adam Sobsey, ââ¬Å"When late in the book he (Henry Walker) declares that heââ¬â¢s spent his entire life looking for his lost sister and her kidnapper, itââ¬â¢s almost a surprise: Heââ¬â¢s scarcely shown that kind of will or anima. He is, in the words of one character, ââ¬Ëlike a puddle in the sun: every day he became smaller and smaller. ââ¬â¢Ã¢â¬ Hannah symbolized the fight against evil for Henry. As noted by the Daniel Wallace, the author, in one of his interviews: ââ¬Å"The stories that Henry has embraced, generated by his father, that only the Devil could have engineered the taking away of Henryââ¬â¢s sister. So, Henry had to believe in that evil in order to set himself up as a force of good in the world. â⬠This was symbolically emphasized in the story as Hannah was often referred to have angelic qualities. As such, the loss of Hannah ââ¬â which Henry though was his fault ââ¬â made Henryââ¬â¢s life a struggle between good and evil and that somehow presented a sense of order into the complexities of the real scenarios that the magician was involved in. However, Hannah was also a source of Henryââ¬â¢s tortuous frustrations for he never can really rescue her from the ââ¬Å"Devilâ⬠and Henry will never win against evil. This was emphasized by Henry in the novel: ââ¬Å"Evil always winsâ⬠¦ Eventually evil wins. We fight it because itââ¬â¢s the right thing to do, but in the end weââ¬â¢ll always lose. Always. Because to be good- truly good- there are rules, we have rules inside of us, rules we have to follow to be that way, to stay good. And evil can do anything it wants to. Itââ¬â¢s not a fair fight. â⬠Wallace, the author, also notes that Henry will always fail at his goal to defeat the Devil because ââ¬Å"The fact is that evil doesnââ¬â¢t exist. There isnââ¬â¢t this Manichean struggle between the two. â⬠Marianne La Fleur, the unattainable Marianne La Fleur, the stage assistant, was the centerpiece in Henry Walker baffling life. In the novel, Henry brings her back to life in one of his shows. This stunt proves to be a success in Henryââ¬â¢s career. This somehow symbolizes Henryââ¬â¢s one good shot back at life; however, the trick fails to receive much awe as its eeriness does not impress the popular audience. In his attempt to love and to be loved, Henry also fails to no avail. Yet, Marianne serves a very defining role in Henryââ¬â¢s life. In a sense, she was the magicianââ¬â¢s hope to life and love which remains unattainable, despite their similarities in ââ¬Å"freakishnessâ⬠. If Henry was presented as a man who had a devastatingly depressing life, his assistant ââ¬â whom he loved ââ¬â mirrored the same degree of oddity that he posed: ââ¬Å"Marianne La Fleur was not ugly, though; she was something worse. She was scary. Or no ââ¬â haunted. She was a haunted woman about whom, when you looked at her, you would wonder, What happened to her? . . . She was odd, and everything she did was odd. . . . Ask her a question, and there was always an uncomfortable pause before she replied. Even the simplest question, ââ¬ËHow are you? ââ¬â¢ One, one thousand, two, one thousand, three. Fine, she said. One, one thousand. ââ¬ËHow are you? ââ¬â¢Ã¢â¬ As described in the novel, Marianne was someone whose characteristics dwell between the living and dead. She was as troubled as the magician and that was probably why he became attracted to her. Through Marianne, Henry defines his fondness of the odd and the haunted. By being attracted to his weird stage assistant who is described as ââ¬Å"a creature ever fluttering on the border between Life and Deathâ⬠, the magician embraces the divergence from normalcy and tries to embrace the life of a ââ¬Å"freakâ⬠. This tendency to be fond of whatââ¬â¢s strange and unnatural gave him what he was always looking for: the love of a family. The freakishness was what defined the people who were in the circus ââ¬â the people whom, as based on their narratives and recollections of Henry ââ¬â loved and cared for the magician in the way that his family failed to do so. In the narratives of Rudy the Strongman, Jenny the Ossified Girl and JJ the Barker, the life of Henry was delivered not only to deliberately emphasize the horrors of the magicianââ¬â¢s life. Rather, through their narrations, Henry was given more than pity. The circus denizens sympathized with their friend and even honored him by saying that ââ¬Å"In the end, Henry was a man with two stories: one story was about revenge, and the other was about love. â⬠In Henryââ¬â¢s life, Marianne was both his motherââ¬â¢s and his sisterââ¬â¢s substitute. Through her, the author was able to emphasize an important theme that he tried to present in the story: ââ¬Å"Itââ¬â¢s about getting (a) family, losing (a) family. All of the stories presented are about family. Henry loses one family, but in the end he gets another since the circus becomes a family in itself, where the freaks are able to live a normal life with each other and love each other as real people, where their similarities are more important than their differences. â⬠Marianne was the supposed fulfillment to Henryââ¬â¢s final vision which is to gain ââ¬Å"that final ideal of community and family and being a part of the world. â⬠References: Sobsey, Adam (2007). Mr. Sebastian and the Negro Magician: The new novel from Chapel Hillââ¬â¢s Daniel Wallace. Published 25 Jul 2007 (Retrieved April 6, 2009 from http://www. indyweek. com/gyrobase/Content? oid=oid%3A157570) Turner, Daniel Cross (2009). The Magical Work of Fiction: An Interview with Daniel Wallace. Published March 2009 (Retrieved April 6, 2009 from http://www. storysouth. com/2009/03/interview-with-daniel-wallace. html) ____________ (2007). Bigger Fish Swim in Wallaceââ¬â¢s Latest. Published 19 August 2007 in the Mobile Register (Retrieved April 6, 2009 from http://www. weirdplots. com/2007/08/that-old-multicolored-magic. html) Wallace, Daniel (2007). Mr. Sebastian and the Negro Magician. Doubleday. 257 pp.
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